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We currently have this product in stock and available for dispatch.
Stock Location
| UK Distribution Hub: | 3 |
"Get it" shows the next available date that we will be able to deliver this item to you on, depending on the delivery option you select, and the stock availability of anything else that you add to your shopping basket.
5-year warranty & 30-day money-back guarantee included
If you decide your order isn't suitable for any reason you can return it - just let us know within 30 days of receiving it. Please keep hold of all the original packaging until you're sure you want to keep the order.
Eligibility for Money Back Guarantee
Important: For hygiene and software licensing reasons, some items are only eligible for our Money Back Guarantee if they are returned to us unused and sealed in the original packaging with all software still "unregistered." Details of exclusions are shown within the product descriptions. Products include:
- Monitors and Headphones
- Earplugs and Ear Protection
- Reeds and mouthpieces for woodwind and brass instruments
- Mouth and Lip-Care Products
- CDs, DVDs and Software
We can collect your return for a small fee, or you can send it back to us yourself. The collection fee can be found in the returns information on each product's page on Gear4music.
In the unlikely event that any item in this order is faulty, damaged or incorrect on receipt, notify us within 14 days and we'll arrange a free collection.
When returning an order please ensure products are appropriately packaged and protected, to prevent them from getting damaged.
This table provides an overview of your statutory consumer rights, compared with our standard returns policy and optional extended money back guarantee and warranty.
| UK & Europe | EU Standard | Gear4music Standard | Gear4music Optional |
|---|---|---|---|
| Return Period | 14 days | 30 days | up to 180 days |
| Standard delivery charges refunded? | Yes | Yes | Yes, up to 30 days |
| Upgraded delivery charges refunded? | Standard costs only | Standard costs only | Standard costs only |
| Free collection on cancellation | No | No | Yes, up to 30 days |
| Free collection if defective, delivered damaged or incorrect item | Yes, within 14 days | Yes, within 14 days | Yes, within 30 days |
We are unable to accept returns of any custom made items designed to work together as a unique package and some items are only eligible for money back guarantee if they are returned to us unused and sealed in the original packaging. For full information on our returns policy, please refer to our returns and refunds information guide.
10-year warranty & 60-day money-back guarantee included
If you decide your order isn't suitable for any reason you can return it - just let us know within 30 days of receiving it. Please keep hold of all the original packaging until you're sure you want to keep the order.
Eligibility for Money Back Guarantee
Important: For hygiene and software licensing reasons, some items are only eligible for our Money Back Guarantee if they are returned to us unused and sealed in the original packaging with all software still "unregistered." Details of exclusions are shown within the product descriptions. Products include:
- Monitors and Headphones
- Earplugs and Ear Protection
- Reeds and mouthpieces for woodwind and brass instruments
- Mouth and Lip-Care Products
- CDs, DVDs and Software
We can collect your return for a small fee, or you can send it back to us yourself. The collection fee can be found in the returns information on each product's page on Gear4music.
In the unlikely event that any item in this order is faulty, damaged or incorrect on receipt, notify us within 14 days and we'll arrange a free collection.
When returning an order please ensure products are appropriately packaged and protected, to prevent them from getting damaged.
This table provides an overview of your statutory consumer rights, compared with our standard returns policy and optional extended money back guarantee and warranty.
| UK & Europe | EU Standard | Gear4music Standard | Gear4music Optional |
|---|---|---|---|
| Return Period | 14 days | 30 days | up to 180 days |
| Standard delivery charges refunded? | Yes | Yes | Yes, up to 30 days |
| Upgraded delivery charges refunded? | Standard costs only | Standard costs only | Standard costs only |
| Free collection on cancellation | No | No | Yes, up to 30 days |
| Free collection if defective, delivered damaged or incorrect item | Yes, within 14 days | Yes, within 14 days | Yes, within 30 days |
We are unable to accept returns of any custom made items designed to work together as a unique package and some items are only eligible for money back guarantee if they are returned to us unused and sealed in the original packaging. For full information on our returns policy, please refer to our returns and refunds information guide.
The product price includes 5 years' warranty and 30 day money back guarantee.
However, the Gear4music extended warranty scheme provides an enhanced service, and is designed to offer a higher level of protection than many 'free' warranties offered by some retailers and manufacturers.
The highlights of this enhanced warranty service are:
Please note that this extended warranty is currently only available on products sold within the UK, EU or EEA, and is subject to the terms and conditions as detailed on the extended warranty certificate provided.
For customers in outlying areas of the country, the price of the Extended Warranty may be marginally higher, due to the potential for higher collection and redelivery transport costs.
This enhanced warranty is in addition to the standard Gear4music and manufacturer warranty policies, and the Gear4music terms and conditions of trade. No statement or condition of sale contained within these terms affects or restricts your statutory rights as defined under the Consumer Contracts Regulation 2014.
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Key Features
Product Ref: 383648
The OP–1 field OS 1.6.0 update brings a solid set of practical improvements that make both recording and sound design more flexible. A standout addition is the new amp synth engine, which lets you route external sources like a guitar or USB audio through the unit’s filters and effects before committing anything to tape, complete with a built in tuner to keep everything in check.
Multichannel USB audio is another big step forward, allowing each of the four tape tracks to be sent as separate stereo channels alongside the main mix, making it much easier to capture ideas directly into a DAW or work with stems externally. Tape editing also feels smoother thanks to a new crossfade feature that reduces clicks without altering the original audio.
There is now a count in option for tighter recordings, plus added control over drum sample fades for shaping transients more precisely. You can also randomise presets for instant inspiration, while improved preset management makes organising sounds far easier. Finally, MIDI clock over Bluetooth LE enables wireless sync with compatible gear, helping keep setups clean and cable free.
Building on the success of the now legendary OP-1, the OP-1 Field has refined every aspect of the original design whilst staying true to its core. Jam-packed with new features and upgrades; the OP-1 Field is the ultimate portable synthesizer for musicians and sound designers. The new and improved speaker system features a new passive loudspeaker on the rear of the synth, which has been optimised to deliver a powerful bass response for a more full-bodied sound.
The battery life has been improved dramatically, providing you with up to a whole day of use (24 hours) from a full charge. The overall design has been revamped too with a new, low-profile aluminium body equipped with a high-res flush display. One of the most innovative features of the OP-1 returns in the form of Tapes. Tape mode provides four stereo tracks with up to six minutes of recording time (at normal speed). There are now four different tape styles to choose from. With the OP-1 Field you can now store up to eight tapes via the onboard memory and switch between them in an instant.
All the iconic graphics have been revamped and overhauled with a brand-new colour scheme. The onboard memory has also been expanded to 256 MB. The overall sound quality has been improved with studio-grade 32-bit audio fidelity. You can now receive and transmit FM signals thanks to the new internal antenna, allowing you to broadcast, as well as sample from the radio. The UI (user interface) has been completely reworked as well as including charge power status LEDs for added convenience. For the full list of the new and improved features see the list towards the bottom of this page.
Teenage Engineering is always updating and enhancing its range of products via firmware updates and the OP-1 Field is no exception. Simply download and install the firmware and you're ready to go! The vocoder is an effect that was championed by countless artists including Roger Troutman, 2Pac, Daft Punk and many more; synthesizing the human voice to achieve a unique sound. It works by speaking/singing and playing notes at the same time, with the notes dictating the pitch of your voice. The powerful modulation options that the OP-1 Field offers allow you to tap into various styles of vocoding for maximum versatility.
Equipped with multiple original synth engines; the OP-1 Field expands on the original design with the inclusion of stereo synth engines. With 12 engines in total (as well as a synth sample engine) you are presented with a massive sonic palette; allowing you to create everything from aggressive bass sounds to lush pads and even FM-style sounds. The wide variety of engines allows you to easily translate your ideas into sound. There are also a range of stereo effects on offer including a new spring reverb, punch, grid and more.
As well as the synth mode; the OP-1 Field also has a ‘drum mode’. When activated, you’re presented with stereo drum samples and a dual oscillator drum synth as well as a myriad of presets to choose from including a range of new drum kits exclusive to the OP-1 Field. You can now stack multiple drum samples to create powerful layered sounds. The drum envelope has also been improved to provide better transient control. From drum sampling to synthesis; the drum mode has multiple ways to interact with drum sounds or create your own from scratch using dbox.
From hip-hop to EDM; the art of sampling has long been a staple in popular music and the OP-1 Field gives you everything you need to master this art. The onboard chromatic stereo sampler has been vastly overhauled, now allowing you to zoom in while editing samples. This is a great step-up from the previous version; allowing you to chop and refine samples with maximum precision. The sample storage has also been expanded, now allowing for over 160 minutes of sample storage. You can sample sounds from multiple sources including the built-in microphone or from FM radio.
The onboard Bluetooth LE connectivity allows for simple wireless MIDI connectivity. Equipped with dual BLE antennas; the OP-1 Field delivers an ultra-stable wireless performance. You can use the wireless MIDI connectivity to connect to outboard MIDI gear or Teenage Engineering units with wireless capabilities such as the OP-Z or the TX-6 mixer. You can also use the OP-1 Field as a MIDI controller or connect to other audio gear via the USB audio/MIDI connectivity.
Sequence your sounds using the seven sequencing modes available in the OP-1 Field. The synth/drum modes both have dedicated sequencer memory. The seven modes include endless, finger, finger (drum), hold, pattern, sketch and tombola. There is also an arpeggio mode which is useful for generating new ideas and drawing inspiration.
The final stage of the OP-1 Field is the mixer section allowing you to adjust the volume, panning and more of the four tape tracks to create a cohesive overall sound. The mixer section is comprised of four pages: mixer, equalizer, master FX and master out. You can apply any of the onboard effects to the master output – perfect for ‘glueing’ your tracks together. Shape your overall sound using the three-band master equalizer or get in-depth with the ‘sound path’ view which shows you the order in which the various signals are processed.
The OB-4's standout feature is its endless looping tape, enabling you to rewind and remix anything played on the speaker. This isn't just about replaying your favourite moments; it's about rediscovering them in a new light. Whether it's capturing the essence of a live radio show or revisiting a Bluetooth-streamed album, the OB-4 enhances your listening experience by offering a creative twist on traditional playback. It's designed for the curious and creative, transforming passive listening into an interactive journey.
With a 40-hour battery life on Bluetooth and 72 hours when tuning into the radio, the OB-4 ensures your music never stops. This speaker is a testament to Teenage Engineering's commitment to combining performance with portability. The high-capacity Li-ion battery is engineered to support days of continuous play, making the OB-4 an essential companion for any outing. It's the perfect blend of endurance and excellence, ensuring your soundscapes are uninterrupted, no matter where you find yourself.
The OB-4's motorised interface is a game-changer. It transforms your interaction with sound through a digital-motion-controlled volume knob and tape reel, inviting you to physically engage with your audio. This innovative feature goes beyond the conventional, offering a new level of user experience. It's about feeling the music at your fingertips, making each adjustment an integral part of the listening process. The OB-4 is not just heard; it's felt, it's seen, and it's manipulated in real-time, redefining the boundaries of what a speaker can be.
Disk mode is where the OB-4 transcends traditional speaker functionalities. This feature serves as a public research space, exploring and prototyping the future capabilities of this media instrument. From ambient soundscapes to practical tools like a metronome, disk mode is continuously updated with new features that push the envelope. It represents Teenage Engineering's commitment to innovation, offering users a glimpse into the potential future of audio interaction. The OB-4 is not just a speaker; it's an ever-evolving platform for auditory exploration.
