Unsupported Browser
The web browser that you are currently using is no longer supported, and as such features of this website may not work as expected. We advise you to update to a currently supported browser (such as Chrome, Edge, or Firefox) to improve your security, speed, and overall experience.
Key Features
Product Ref: 81880
Plexi is the legendary nickname for the range of amplifiers produced by Marshall in the mid 1960s, delivering a classic rock tone that has been popular ever since. The Cornell Plexi Pro 45/50 Head Amplifier recreates this iconic tone by incorporating a full host of high quality components and circuitry. Whether you are in a rock band, or simply want to achieve that definitive sound, the Cornell range of Plexi amplifiers is the perfect choice for any guitarist.
The Cornell Plexi Pro 45/50 Head Amplifier delivers that instantly recognisable sound that many people associate with 1960s rock music. This new range of Plexi amps are not just reproductions, they are equipped with the latest technology for the modern player, whilst maintaining a retro appearance. Using high quality valve technology, this hand-built amp head reproduces that powerful rock tone that many guitarists look for. Cornell amplifiers are designed to avoid frequency loss caused by printed circuits, by incorporating point-to-point wiring throughout. Each feature is hand-mounted onto a component board which is sealed using a conformal coating to prevent noise and the reduction of component life caused by moisture penetration. Highly trained staff take time in hand-wiring each component, to ensure the highest standards of reliability and sound. p>
The Plexi Pro 45/50 Head offers simplicity along with a full range of quality of sounds that you would expect from a professional amplifier head. Its basic design accommodates two independent channels, which each have their own volume control, altering the overall loudness of the amp. The tone controls are designed to work over the entire frequency range of your guitar, allowing increased amounts of low and high frequency adjustment. Channel two has a brighter tone of that of channel one and can cut through any mix.